The House of the Devil

The House of the Devil (2009) – [rate 3]

If you’ve survived the 80’s, like myself, and watched any of the horror movies created in that era – I watched a serious number of them – you’ll be amazed at how well this movie gets it right. That is, looking like one of those. I actually caught myself wondering “haven’t I seen this movie at some point in high school?” but that’s absolutely impossible, since it was released last year.

Though the makers deserve credit for getting that down to the smallest details, it doesn’t make it a good movie per se. Luckily, they managed to get most of that right too. The introduction of the main character is simple but enjoyable and not overly long, but long enough to start to care. The typical suspense arc starts well and builds up with excellent sustain, although you’ll be hard pressed to detect originality (girl babysits in remote mansion, with the movie being prefixed with a fact about satanic sects).

What prevents this movie from being a modern retro-classic is the ending. It’s a rushed jumble which merely serves to shatter the suspense. And even if that is a quote as well, it’s a quote of the movies that I didn’t like in the 80’s vs. the great many that I did like (and had better endings). House of the Devil is comparable to better movies like The Sect and even though it does almost everything else better (sound, music, camera, acting, props), it fails in the one that matters the most – to me anyway -: story.

Amer

Amer (2009) – [rate 4]

This is the kind of movie I expect to see at a festival like this. Amer gets in real close, it’s not for the squeamish and requires serious attention to follow, but in the end it is more than worth it. Its powerful imagery, it’s strange but clear characters and its odd pacing all serve to draw you in deeper.

As an ode to Giallo and with a styling that screams 70’s on all counts, this movie is not very likely to do very well at the box office, but every movie buff should still consider seeing it. It’s powerful film making and considering that Giallo appears to have been out of grace for quite some time, this is a worthy addition to the genre.